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| Memoirs of a Geisha | 
enlarge | Author: Arthur Golden Publisher: Vintage Category: Book
List Price: $7.99 Buy Used: $0.01 You Save: $7.98 (100%)
New (70) Used (487) Collectible (13) from $0.01
Avg. Customer Rating: 2475 reviews Sales Rank: 5297
Media: Mass Market Paperback Number Of Items: 1 Pages: 512 Shipping Weight (lbs): 0.6 Dimensions (in): 6.8 x 4.2 x 1.2
ISBN: 1400096898 Dewey Decimal Number: 813.54 EAN: 9781400096893 ASIN: 1400096898
Publication Date: November 22, 2005 Availability: Usually ships in 1-2 business days Condition: Help save a tree. Buy all your used books from Green Earth Books. Read -> Recycle -> Reuse!
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Amazon.com Review According to Arthur Golden's absorbing first novel, the word "geisha" does not mean "prostitute," as Westerners ignorantly assume--it means "artisan" or "artist." To capture the geisha experience in the art of fiction, Golden trained as long and hard as any geisha who must master the arts of music, dance, clever conversation, crafty battle with rival beauties, and cunning seduction of wealthy patrons. After earning degrees in Japanese art and history from Harvard and Columbia--and an M.A. in English--he met a man in Tokyo who was the illegitimate offspring of a renowned businessman and a geisha. This meeting inspired Golden to spend 10 years researching every detail of geisha culture, chiefly relying on the geisha Mineko Iwasaki, who spent years charming the very rich and famous. The result is a novel with the broad social canvas (and love of coincidence) of Charles Dickens and Jane Austen's intense attention to the nuances of erotic maneuvering. Readers experience the entire life of a geisha, from her origins as an orphaned fishing-village girl in 1929 to her triumphant auction of her mizuage (virginity) for a record price as a teenager to her reminiscent old age as the distinguished mistress of the powerful patron of her dreams. We discover that a geisha is more analogous to a Western "trophy wife" than to a prostitute--and, as in Austen, flat-out prostitution and early death is a woman's alternative to the repressive, arcane system of courtship. In simple, elegant prose, Golden puts us right in the tearoom with the geisha; we are there as she gracefully fights for her life in a social situation where careers are made or destroyed by a witticism, a too-revealing (or not revealing enough) glimpse of flesh under the kimono, or a vicious rumor spread by a rival "as cruel as a spider." Golden's web is finely woven, but his book has a serious flaw: the geisha's true romance rings hollow--the love of her life is a symbol, not a character. Her villainous geisha nemesis is sharply drawn, but she would be more so if we got a deeper peek into the cause of her motiveless malignity--the plight all geisha share. Still, Golden has won the triple crown of fiction: he has created a plausible female protagonist in a vivid, now-vanished world, and he gloriously captures Japanese culture by expressing his thoughts in authentic Eastern metaphors.
Product Description In this literary tour de force, novelist Arthur Golden enters a remote and shimmeringly exotic world. For the protagonist of this peerlessly observant first novel is Sayuri, one of Japan's most celebrated geisha, a woman who is both performer and courtesan, slave and goddess.
We follow Sayuri from her childhood in an impoverished fishing village, where in 1929, she is sold to a representative of a geisha house, who is drawn by the child's unusual blue-grey eyes. From there she is taken to Gion, the pleasure district of Kyoto. She is nine years old. In the years that follow, as she works to pay back the price of her purchase, Sayuri will be schooled in music and dance, learn to apply the geisha's elaborate makeup, wear elaborate kimono, and care for a coiffure so fragile that it requires a special pillow. She will also acquire a magnanimous tutor and a venomous rival. Surviving the intrigues of her trade and the upheavals of war, the resourceful Sayuri is a romantic heroine on the order of Jane Eyre and Scarlett O'Hara. And Memoirs of a Geisha is a triumphant work - suspenseful, and utterly persuasive.
From the Trade Paperback edition.
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| Customer Reviews: Read 2470 more reviews...
Memoirs of a Geisha September 28, 2008 This book arrived in perfect condition just when I was told it would. It is so well written and completely mesmerizing. I enjoyed every minute of reading about this woman's story of a culture so steeped in tradition.Amazing book. You'll love it.
Wonderful book. September 24, 2008 Very captivating. I couldn't put it down till I finish it. Very easy to read, dynamic plot.
The movie was beautiful but it didn't show even half of what is in the book and why.
It has a very interesting ending (unlike the movie).
One of my favorite novels! August 31, 2008 This is a wonderfully written story about the life of a young Japanese girl that suffers a lot but becomes the best she can be. Everyone I know that has read this loves it as much as I do. The writer captures your interest right away and before you know it, you're living in Japan, during the war. I saw the movie after reading this book and was very disappointed with the movie. There is just too much to try and convey on the big screen. Treat yourself to some "me" time and read this wonderful story.
Awesome writing style..my absolutely favorite book August 9, 2008 1 out of 1 found this review helpful
Just read an excerpt..or the first page and you will see that it pulls you into the story immediately and it never lets you go. I was never bored and fell so deeply into this story and into the imagery and emotion that I wish I could find another book that could take me on a such a journey as this book did. I've been searching but have not found its likeness. I was blown away that this story was written by a man and not by a Japanese Geisha.
Memoirs of a Geisha July 25, 2008 0 out of 5 found this review helpful
I find it very hard to believe that in the 30s and 40s the Japanese culture, one of the most esteemed cultures in the world, would train young girls for the exclusive pleasure of men.
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